This article contains detailed reflections and comments on the use of maqom traditions and techniques in the opera "Leyli and Majnun" by Reinhold Gliere and Tolibjon Sodikov. The article may be useful for those interested in the field of musical art
Maqoms have a long history. This article discusses about seven pardas of maqom and dialectical anal...
This article proposes a ritualistic approach to opera in the historical case of the mid-eighteenth-c...
In this article, the issue of namuds in Uzbek national music, especially in the performance of maqam...
This article discusses the system of methods of the Uzbek classical music heritage, mainly individua...
The article analyzes the musical language of the opera Kerem by A. Adnan Saygun. Ahmet Adnan Saygun ...
The Turkish world's opera history gave its first example in 1908 with the opera "Leyli and Majnun" b...
This article discusses a number of topical issues on the choice of conducting means of expression in...
In this article, given the information about the classification of musical works created in the styl...
This article discusses the leading musical instruments of the period, such as oud, tanbur, dutar, to...
Maqoms are based on the music of the peoples of the East and their unique musical riches. The melody...
This article is devoted to the study of the theoretical foundations of Uzbek maqoms, the emergence o...
This article provides feedback on the status of Makom's solo singing and singing art
Maqoms are based on the music of the peoples of the East and their unique musical riches. The melody...
For several centuries opera composers have made significant use of recitatives in their works. For c...
This article is devoted to the study of the theoretical foundations of Uzbek maqoms, the emergence o...
Maqoms have a long history. This article discusses about seven pardas of maqom and dialectical anal...
This article proposes a ritualistic approach to opera in the historical case of the mid-eighteenth-c...
In this article, the issue of namuds in Uzbek national music, especially in the performance of maqam...
This article discusses the system of methods of the Uzbek classical music heritage, mainly individua...
The article analyzes the musical language of the opera Kerem by A. Adnan Saygun. Ahmet Adnan Saygun ...
The Turkish world's opera history gave its first example in 1908 with the opera "Leyli and Majnun" b...
This article discusses a number of topical issues on the choice of conducting means of expression in...
In this article, given the information about the classification of musical works created in the styl...
This article discusses the leading musical instruments of the period, such as oud, tanbur, dutar, to...
Maqoms are based on the music of the peoples of the East and their unique musical riches. The melody...
This article is devoted to the study of the theoretical foundations of Uzbek maqoms, the emergence o...
This article provides feedback on the status of Makom's solo singing and singing art
Maqoms are based on the music of the peoples of the East and their unique musical riches. The melody...
For several centuries opera composers have made significant use of recitatives in their works. For c...
This article is devoted to the study of the theoretical foundations of Uzbek maqoms, the emergence o...
Maqoms have a long history. This article discusses about seven pardas of maqom and dialectical anal...
This article proposes a ritualistic approach to opera in the historical case of the mid-eighteenth-c...
In this article, the issue of namuds in Uzbek national music, especially in the performance of maqam...
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